Sunday, May 18, 2008

News: Two new board members join State Street Ballet

State Street Ballet welcomes its two newest board members: Arlyn Goldsby and Benjamin Jerry Cohen.

Arlyn Goldsby is the owner of Objects in Montecito, the eclectic boutique on Coast Village Road. She was on the Board of Women’s Economic Ventures and very much involved with the Compeer Program at the Music Academy of the West. She and her husband Marlowe support Cottage Hospital, and the building of the new Granada Theatre.

Her interest in ballet was stimulated by her grandfather who had a box at the Metropolitan Opera. Every year from the age of eight, she traveled from Cleveland, Ohio to New York to watch the opera and to see her aunt who was a ballerina with the Corps de Ballet at the Metropolitan and also the Ballet Russe.



Benjamin J. Cohen is Louis G. Lancaster Professor of International Political Economy at the University of California, Santa Barbara, where he has been a member of the Political Science Department since 1991. He was educated at Columbia University, earning a PhD in Economics in 1963. He has worked as a research economist at the Federal Reserve Bank of New York (1962-1964) and has taught at Princeton University (1964-1971) and the Fletcher School of Law and Diplomacy, Tufts University (1971-1991). A specialist in the political economy of international money and finance, he serves on the editorial boards of several leading academic journals and is the author of twelve books, including most recently The Geography of Money (1998), The Future of Money (2004), and International Political Economy: An Intellectual History (2008). He has won numerous awards and in 2000 was named Distinguished Scholar of the year by the International Political Economy Section of the International Studies Association.

Since 1999 he has served on the Board of Directors of the Music Academy of the West, where he has been Treasurer for the past seven years. He also serves on the Board of the Channel City Club. He and his wife, the historian Jane Sherron De Hart, have been long-time subscribers to the State Street Ballet, which they regard as one of Santa Barbara’s prime cultural assets.

Wednesday, April 23, 2008

Review: Evenings 2/08

The Santa Barbara Independent reviews our February 29, 2008 Evenings:

One Enchanted Evening

Studios of Gustafdance Dance

Reviewed by Ellen K. O'Connell


The aptly titled Evenings was an informal affair where everyone seemed to know each other, and the sense of community was centered on a creatively versatile group of young dancers who comprise Santa Barbara’s only full-time professional ballet company. The dancers performed their own work in the company’s normal rehearsal space while guests filled up the lobby until there was standing room only.



Read more of the review.

Thursday, February 21, 2008

News: Evenings on February 29



Our second Evenings program of the 2007-2008 season is just a week away on Friday, 7:30PM, February 29, 2008. Held in the studios of State Street Ballet at 322 State Street, Evenings showcases our dancers in their own choreography. With light food and wine, and audience seating at an intimate distance from the performers, you'll enjoy an elegant, casual evening with your friends and our dancers.

Because it's not part of our regular dance series and is more informal, dancers are encouraged to experiment with their choreography. You'll see a wide variety of dance not seen at our regular performances as well as more contemporary work as they try out new dance ideas on a smaller, friendlier audience first. You could be the first to see the seeds of a new ballet to come.

This Evenings celebrates the art of the port de bras, the carriage of the arms and head that fills all of that incredible dance technique with meaning and expression. So you'll see many different pieces from the dancers that explore the use of the head and arms, culminating in former SSB dancer Gary McKenzie's tribute to French cabaret singer Edith Piaf.

Doors open at 7:00PM. Tickets are $25 at the door, and $20 with advance reservations. RSVP to evenings@statestreetballet.com or call (805) 965-6066. The SSB studios are located at 322 State Street.

Review: Ballroom

Diana Law's Love's Avalon, photo by David Bazemore

The Santa Barbara Independent reviews Ballroom:

Ballroom, presented by State Street Ballet

Lobero Theatre, Saturday February 9, 2008

Reviewed by Elizabeth Schwyzer


Now celebrating its 15th year, State Street Ballet is known for stretching audience expectations of the art form. Its most recent program, a series of shorter works inspired by the swing dance era collectively titled Ballroom, took as its mission melding two very different dance forms: classical ballet and swing dance.



Read more of the review.



The Ballroom program consisted of Victoria Simon's Come Dance with Me, Nancy Colahan and Christopher Pilafian's Dream Dancing, Diana Law's Love's Avalon, SSB artistic director Rodney Gustafson's Stravinsky's Tango, and Robert Sund's B.A.N.D.

Review: Nutcracker 2007

Ryan Camou as Drosselmeyer, photo by David Bazemore

The Santa Barbara Independent reviews SSB's Hollywood Nutcracker:

The NutCracker, presented by State Street Ballet

Lobero Theatre, Saturday, December 15

Reviewed by Ellen O'Connell


Playing with tradition is a bold move, and one Rodney Gustafson, artistic director of State Street Ballet, is not afraid to try. Last weekend, the company presented its annual holiday production — a 1930s Hollywood twist on The Nutcracker. There are quite a few versions of the Christmas classic dancing through Santa Barbara this time of year, and it can be hard to keep them all straight, but State Street Ballet’s variation is unmistakable; Gustafson reinterprets the traditional story using gangster rats in zoot suits and Ethel Merman-style synchronized swimmers as snowflakes.



Read more of the review.

Saturday, December 8, 2007

Steps: State of the Art



Where is ballet today? Where did it come from? And where is it going? New York City Ballet principal dancer Damian Woetzel offers some ideas in his Aspen Ideas 2006 talk. Discussing and demonstrating ballet technique and repertory, Woetzel lucidly articulates the state of ballet today.

Go to the Fora.tv website to find a higher resolution video that's also downloadable to your iPod.

Sunday, December 2, 2007

Feature: The cat is out of the bag

In a feature article about the Santa Barbara Chorale Society, the Santa Barbara Independent reveals the exciting, new collaboration between State Street Ballet and the Chorale Society on a new production of Carmina Burana, to be choreographed by William Soleau whose Carmen we presented recently. This production will also be our first regular performance in the new Granada Theatre.

So mark your calendars for May 31 and June 1, 2008 for a world premiere ballet performed to live music, including a 125-person chorus in a brand new performance space designed especially for such productions. We'll keep you up to date on the ins and outs of Carmina Burana as it evolves as well as when you can purchase tickets for what promises to be a spectacular production.

Santa Barbara Choral Society Prepares for a Breakthrough Year

Feature by Charles Donelan


But it is the spring sequence of programs, and its culmination with Carl Orff’s Carmina Burana at the Granada with State Street Ballet on May 31 and June 1, that marks this 60th anniversary year as a potential breakthrough one for the organization. Choreographer William Soleau recently scored a distinct hit with his Carmen, which State Street Ballet performed at the Lobero. With 125 SBCS members, many in full costume and playing supporting roles onstage while the dancers do their thing, Soleau’s Carmina Burana is unquestionably the most ambitious multimedia production of the year, and will be a supreme test not only for both organizations, but for the Granada as well.


Read more of the feature.